EKO
Artist and bookmaker
At 12:53pm, the first barriers at the Capitol fell
President Trump was still speaking at the Ellipse, 1.8 miles away. His speech wouldn’t end for another hour. His supporters couldn’t physically arrive at the Capitol until 1:30pm at the earliest.
The insurrection began before the insurrectionists arrived.
This temporal impossibility exposes the essential deception. What America watched wasn’t spontaneous violence but scheduled programming. The FBI agents Trump confirmed over the weekend weren’t there to observe. They were there to perform. Every scene hit its mark, every angle was captured, every moment advanced the narrative that would justify the permanent emergency to follow.
Dawn: Setting the Stage (6:00am–8:00am)
Before dawn on January 6th, while Washington slept, the stage was being set. At 7:45am, an individual in black began systematically removing barriers around the Capitol perimeter. Not random vandalism but professional dismantling. Someone who knew exactly which barriers created critical choke points, which fences directed crowd flow, which removals would create the appearance of invitation while maintaining camera angles.
Metropolitan Police Undercover Officer Roe was caught on bodycam at 8:15am saying “appreciate it, brother” to individuals removing barriers. This footage, later classified “sensitive,” revealed law enforcement enabling rather than preventing. The individual who removed every critical barrier was never pursued, never identified, never charged. Because you don’t arrest the stage crew.
The federal architecture wasn’t monolithic. While agents performed the production, others documented it. Christopher Wray’s later contempt of Congress wasn’t defiance but disclosure – opening doors to consequences that expose the shadow system. Some badges that day belonged to the production. Others belonged to the evidence collection.
Simultaneously, “construction workers” began climbing the Capitol scaffolding despite no construction being scheduled for January 6th. These weren’t workers but camera platforms being established. The scaffold would later provide perfect elevated angles for the crowd surge, the breach points, the dramatic pushing against barriers that no longer existed because they’d been removed hours earlier. Every major photograph that defined January 6th was taken from these pre-positioned platforms.
The Ellipse Chaos (10:00am– 12:00pm)
At 10:30am, Ali Akbar erupted into the VIP section without credentials, screaming “I organized all of this!” while livestreaming his own tantrum. He shoved past security, destroyed seating arrangements, created such disruption that the entire VIP structure collapsed. But watch the security response – or lack thereof. No arrest, no removal, just resignation as Akbar dismantled what they’d spent hours constructing.
Caroline Wren approached Alex Jones at 11:15am with specific lies: Trump personally requested Jones lead the march to the Capitol, the president would meet him there. Jones took the bait. He gathered his InfoWars crew and departed before Trump even began speaking, leading his followers away from the president’s speech toward the Capitol where the real production waited.
The Presidential Alibi (11:00am–1:00pm)
Trump’s speech pattern that day broke from his usual rhythm. Starting late, speaking longer, and adding deliberate extensions that kept him at the podium. Someone in Trump’s orbit understood the timeline, understood that keeping Trump speaking meant keeping his actual supporters at the Ellipse while the false flag operation proceeded at the Capitol. Every minute Trump spoke was another minute his genuine supporters couldn’t be blamed for what was happening 1.8 miles away.
The president became his own alibi.
When Trump finally announced he would march to the Capitol with the crowd, the Secret Service immediately vetoed it.
Trump at the Capitol would have prevented the breach, calmed the crowd, and destroyed the narrative being constructed.
The Breach Choreography (12:30pm–1:30pm)
Ray Epps positioned himself at the first barrier line at 12:30pm, beginning his orchestrated provocations. “We need to go into the Capitol! That’s where our problems are!” His whisper to Ryan Samsel at 12:50pm preceded the first barrier breach by exactly three minutes. Samsel would later receive one of the longest sentences of any January 6th defendant. Epps was never charged.
The crowd response reveals the organic versus orchestrated dynamic. Multiple videos show Trump supporters trying to stop Epps, shouting “Fed! Fed! Fed!” at him, physically restraining people from advancing.
With intelligence assets like Epps and a few hundred FBI agents in a crowd, you don’t need majority support. You just need strategic positioning.
At 12:53pm, while Trump still spoke at the Ellipse, the first barriers fell. Not pushed over in rage but lifted and walked backward by coordinated groups who knew exactly which barriers to move, which directions to open, which camera angles to maintain.
The Columbus Doors’ magnetic locks, requiring specific Capitol Police badges to override, opened at 1:00pm. Not broken, not forced. Opened.
The Senate Sergeant at Arms was murdered before testifying about the magnetic door protocols. Those doors required specific signals to open. Signals only certain badges could send.
The Guided Tours (1:00pm–2:00pm)
Capitol Police officers began giving specific directions to the crowd:
“Third door on the right for the Senate chamber,”“Statuary Hall is through those doors,”“The Rotunda is straight ahead.”
Not shouting commands to stop but providing guided tour instructions.
Zachary Alam appeared at 1:15pm with a tactical helmet and specialized glass-breaking tool. When Trump supporters tried to stop him, shouting “Antifa!” and physically restraining him, other embedded assets pulled them away, allowing Alam to complete his assigned destruction.
The photography of the window breaks reveals impossible positioning. Melina Mara and other photographers were inside, cameras ready, as glass shattered inward toward them. No professional photographer stands behind breaking glass unless they know exactly when and how it will break.
The Strategic Destruction (2:00pm–2:30pm)
Once inside, the crowd’s behavior defied every assumption about ‘insurrection.’ Grandmothers taking selfies in Statuary Hall. Protesters picking up fallen velvet ropes, carefully replacing them. This wasn’t mob behavior – it was tourist behavior, because most didn’t know they were extras in a production selling them as insurrectionists.
The pattern of destruction reveals targeting rather than random violence. Specific offices were ransacked while others remained untouched. Nancy Pelosi’s laptop, conveniently left open and logged in, was taken by someone who knew exactly where to find it.
Most revealing: the systematic destruction of evidence related to Ukraine, biolabs, and financial transfers. Specific hard drives destroyed, particular servers damaged, certain filing cabinets emptied and burned. January 6th wasn’t the crime. It was the coverup.
The Money Shot (2:30pm–2:35pm)
At 2:30pm, tactical officers inexplicably withdrew from the Speaker’s Lobby doors, creating clear field of fire. John Sullivan arrived precisely as the withdrawal completed, his camera ready, his position perfect.
Sullivan wasn’t Antifa or Proud Boys. Both were cover stories. Foreign contractors, Ukrainian assets, intelligence cutouts. His brother James ran the mirror operation outside. Two cameras, two narratives, one production.
Sullivan’s immediate reaction, caught on his own camera: “I have the shot!” Not horror, not surprise, but satisfaction at capturing predetermined content. His footage, sold to CNN for $35,000 in a pre-negotiated deal, became the defining image of January 6th.
The Vanishing Act (2:35pm–3:00pm)
At 2:35pm, as if responding to an invisible signal, the provocateurs began disappearing. The most violent actors vanished within minutes. Security footage shows them changing clothes in specific rooms, exiting through predetermined routes, meeting handlers at designated extraction points.
The FBI response time reveals foreknowledge. Agents arrived at specific locations before 911 calls were made, positioned at exit points before breaches occurred. They weren’t responding to crime.
They were managing a production, ensuring the right people were arrested while the wrong people escaped.
The Narrative Lock (3:00pm–8:00pm)
By 3:00pm, before the Capitol was even cleared, media outlets simultaneously deployed identical language: “insurrection,” “deadly assault,” “democracy under attack.” The narrative was written before the event, waiting only for footage to illustrate predetermined story.
Congress reconvened at 8:00pm with prepared speeches about “democracy surviving its darkest day.” You don’t write eloquent speeches about events you’re still processing unless you knew what those events would be.
The Performance Review
The show was over in 102 minutes. The sentences are forever.
But Wray’s strategic noncompliance suggests something else: documentation of the documenters. Every federal crime created federal evidence. Every asset’s movement tracked by other assets. The production company filmed everything, not knowing they were also being filmed.
The sacrifice play isn’t just exposing corruption. It’s revealing that some inside knew, watched, waited. The real investigation was never the January 6th Committee. It was the parallel construction happening in silence.
274 agents performed January 6th.
How many more were recording the performance?
Recognition isn’t just viral. It’s bidirectional.
They filmed a movie and called it news.
They performed a play and called it insurrection.
The authentic protesters became unwitting extras in their own criminalization, walking into a completed performance they thought was just beginning.
Once you see the timeline doesn’t work, you can’t unsee it. Once you know the photographers were pre-positioned, you can’t unknow it. Once you recognize 274 agents weren’t there to observe but to perform, everything changes.
The curtain has fallen. The audience sees the stage.
We’re not watching anymore.
This article was originally published by EKO Loves You.
